History of the orchestra
Soon after it was founded by Eugen Jochum in 1949, the Symphonieorchester des Bayerischen Rundfunks (BRSO) developed into an internationally renowned orchestra, its fame continuously expanded and fortified by its intensive touring activities. The orchestra owes its extraordinarily wide ranging repertoire and sound spectrum to the programme preferences of its previous chief conductors as well as to the great flexibility and solid stylistic security of each individual musician.
Fostering new music has an especially long tradition at the Symphonieorchester des Bayerischen Rundfunks with appearances in conjunction with the “musica viva” series, founded in 1945 by Karl Amadeus Hartmann, as one of the orchestra’s main assignments right from the start. At these concerts, Munich audiences have witnessed legendary performances of contemporary works at which the composers themselves generally stood on the podium of the orchestra. These included Igor Stravinsky, Darius Milhaud, Paul Hindemith, Bruno Maderna, Pierre Boulez, Hans Werner Henze, Witold Lutosławski, Krzysztof Penderecki, Cristóbal Halffter, Heinz Holliger, Hans Zender, Karlheinz Stockhausen, Mauricio Kagel, Luciano Berio as well as, more recently, Peter Eötvös.
The Symphonieorchester des Bayerischen Rundfunks was the only German orchestra with which Leonard Bernstein regularly collaborated for many years. In general, many renowned guest conductors, such as Clemens Krauss, Erich and Carlos Kleiber, Charles Munch, Ferenc Fricsay, Otto Klemperer, Karl Böhm, Günter Wand, Georg Solti, Carlo Maria Giulini, Kurt Sanderling, Wolfgang Sawallisch and Bernard Haitink have left indelible imprints on the Symphonieorchester in the past.
Today, Riccardo Muti, Esa-Pekka Salonen, Franz Welser-Möst, Yannick Nézet-Séguin, Herbert Blomstedt, Daniel Harding and Robin Ticciati number amongst the significant partners who regularly mount the podium in Munich. For many years, the Symphonieorchester has also pursued approaches to early music and now collaborates regularly with such experts in historical performance practice as Thomas Hengelbrock, Ton Koopman and Giovanni Antonini.
Besides the many performances and recordings in Munich and other cities in the station’s broadcast range, extensive concert tours are central components in the everyday life of the orchestra today. Tours have taken the orchestra to virtually every European country, to Asia as well as to North and South America. It makes regular appearances in New York’s Carnegie Hall and in the renowned concert halls in Japan’s musical capitals. From 2004 to 2019, the Symphonieorchester was the orchestra in residence at the Easter Festival in Lucerne.
A further special feature is the encouragement of up-and-coming young musicians. In conjunction with the ARD International Music Competition, the Symphonieorchester accompanies young musicians both in the final rounds as well as in the symphonic closing concert featuring the prize winners. Since October of 2001 the Academy of the Symphonieorchester des Bayerischen Rundfunks has been doing valuable educational work by preparing young musicians for their later careers and thus building a solid bridge between education and professional activity. Beyond this, the Symphonieorchester maintains an encouragement programme for young people with many activities designed toward the worthy goal of bringing the younger generation closer together with classical music.
The history of the Symphonieorchester is closely intertwined with the names of its previous Chief Conductors, who were always concurrently Chief Conductors of the Chor des Bayerischen Rundfunks.
Mariss Jansons continued to expand the orchestra’s vast discography with a high number of CD releases. Completing his Shostakovich cycle with various major orchestras, the Symphonieorchester des Bayerischen Rundfunks contributed Symphonies Nos. 2, 3, 4, 12, 13 and 14. The recording of the 13th Symphony received a Grammy in the category of “Best Orchestral Performance.” Since 2009, the Symphonieorchester des Bayerischen Rundfunks has been releasing CD’s and DVD’s on Bavarian Broadcasting’s own label, BR-KLASSIK.
In a number of different surveys of music critics, the Symphonieorchester des Bayerischen Rundfunks has numbered among the top ten orchestras in the world, in the 2008 orchestra ranking by the British music magazine “Gramophone” (6th place) and in the Japanese music magazine “Mostly Classic” in 2010 (4th place).
The Symphonieorchester des Bayerischen Rundfunks got awarded the “Preis der Deutschen Schallplattenkritik” (Award of German Record’s Review) for Antonin Dvorak’s Symphony No. 9 conducted by Andris Nelsons.
In February 2016, the production of the “Missa solemnis” by Ludwig van Beethoven under the direction of Bernard Haitink was nominated for the GRAMMY with choir and symphony orchestra of the Bayerischer Rundfunk. For the recording of the 3rd Symphony by Gustav Mahler under the direction of Bernard Haitink, the orchestra was awarded the BBC Music Award in April 2018. The recording of Bruckner’s Symphony No. 8, conducted by Mariss Jansons received the “Preis der Deutschen Schallplattenkritik” in 2018. Rachmaninoff’s “The Bells”, directed by Mariss Jansons, was awarded in April 2018 by the British “Gramophone Magazine” and the French magazine “Diapason d’Or”. The recording of Shostakovich’s Symphony No. 10 conducted by Mariss Jansons received the “Preis der Deutschen Schallplattenkritik” (Award of German Record’s Review) in 2020.
Mariss Jansons conducted his last concert with the BRSO on November 8, 2019 at the Carnegie Hall in New York. Just a few weeks later, on December 1, 2019, Mariss Jansons passed away in St. Petersburg at the age of 76.
New era: Sir Simon Rattle
On January 3, 2021, Sir Simon Rattle signed an initial five-year contract as the new Chief Conductor of the Symphonieorchester des Bayerischen Rundfunks and the Bavarian Radio Chorus beginning with the 2023/24 concert season. The conductor, who is appreciated worldwide for his artistic seriousness, compelling charisma, openness and versatility, made his debut with the BR Chorus and BRSO in 2010 with Schumann’s “Paradise and the Peri”. Right from the very beginning, Simon Rattle and the musicians of the BRSO have enjoyed an extraordinarily deep musical understanding, so that the musicians of both ensembles voted overwhelmingly in favor of Simon Rattle as their new chief conductor.